Almost Successful Minimalist Front Garden

I'd been waiting in anticipation when I saw the bones of this landscape being formed. I was looking forward to how it would turn out, because it looked like it would be something different to the usual front verge on Essenwood road.

As it turned out, it was different. But to tell you the truth, I was disappointed. Where it had great potential was in its basic structure, but it was let down from that point on.

Everybody has their own opinion on what makes a beautiful design, but there are some basic fundamental things that make a good concept into a good design. And only a good design can be beautiful.

To play with an old saying by St Augustine - In all things sensible compulsory, in all things aesthetic freedom, but in all things passion.

I appreciate the minimalist simplicity of the design, and it probably looked good on paper. Breaking the bank up using terraces was a good practical idea, and the curve gave it something fresh. The huge rocks emboldened the design. The use of Aloes gives a different feel, they're low maintenance, and when they flower, will look amazing.

But the positives can only carry it so far. The first and biggest flaw, is using grass that has to be constantly cut, more than a metre off the ground. Why not use a simple ground-cover, even something as over-used in South African gardens as Mondo grass would have been better from a maintenance point of view. Who wants to lug a lawnmower up onto a terrace?

Why do people over-use white pebbles? Gardeners that use them remind me of magpies that are just attracted to shiny and sparkly things, thinking that the garden will somehow be improved by them. As a general rule, use white pebbles sparingly. They seldom stay white anyway.

You should always be careful using contrast in a garden. There is a very fine line between contrast and kitsch. I believe the design would have been better if the pebbles used had picked up on another colour in the design - whether the rock that they are spread around, the plants used or even the colour of the walls.

In a situation like this, where the rocks themselves are the focus of the design, they should be chosen and positioned deliberately. Japanese garden design has very precise ancient guidelines for using rocks, and while this is not an oriental garden - those guidelines are built around good aesthetics, and should be followed more often than not if you want rock to work well in a design. But that's probably a post for another day. In this case, the third rock looked completely out of place - it was flat and didn't have the presence that the other rocks had.

Another basic mistake made, was not hiding the water valve (it was at least hidden in the standard municipal cover). The design could have been easily adjusted to obscure the box, while still giving access to the meter. It was painted the same colour as the wall, which helps to make it less noticeable.

The choice of Pachpodium as the main feature plant (although it is small it will get a nice size in a few years) for the back of the planting looks slightly out of place - but that's probably just my personal preference rather than any design flaw.

Some of these mistakes are basic, and some might seem nit-picky, but I think this little garden could have been very successful had the person who designed it paid that extra attention to detail, instead I think its been left a little short-changed.

A Crush on Chelsea?

Its not actually my thumbs that are green at the moment - I'm just generally envious after looking at photos of the Chelsea Flower Show. I've been wanting to visit Chelsea ever since I learnt how to say Chrysalidocarpus lutescens Agapanthus.


We miss-timed our holiday by a couple of weeks (in my opinion not my wife's) a few years ago while visiting the UK and back-packing around Europe, and didn't get to see any of the spectacular gardens on display. I did however, get to see a wall at the back of the Royal Hospital Grounds, as we got lost on the way to IKEA - but that's sadly as close as I've come.

I've developed this slight crush on Chelsea, because (judging from photo's only, mind you) you get to see what can be done, with a lot of imagination and similar quantities of cash. I'm sure that very few of the gardens are long-lasting, or could be easily transferred into a real-life garden. But Chelsea's gardens set a standard, and in some cases push the limits of what gardens could be in an ideal world.

So every year, I scour the internet for pictures, vicariously appreciating the gardens from 11000 miles away. But I console myself with the thought that in most cases the actuality of something isn't what you've built it up to be, and judging from my friend Viv's experience, it can be painful too.
She also wrote a story for the Times, in which she talks about how the budget's were pruned back this year, but that designers were taking a positive approach, and showing ways to garden on a small budget and recycle where possible.

I've also found some great pictures of Chelsea by Robert McMillan from Garden Focus.

So I guess another year goes by that I didn't get to visit Chelsea for myself, but so what...at least I have those amazing ice trays from IKEA!

Redesigning the Umhlanga Promenade

Umhlanga (the Zulu word for 'place of reeds') is a thriving coastal holiday town, within easy distance of Durban. Apart from catering to a regular influx of tourists throughout the year, it also has a large portion of permanent residents, and visitors from around the area. The beaches are great, with excellent waves for surfing, and rock pools for kids. There are amazing restaurants close by, and Gateway - one of the biggest shopping malls in the Southern Hemisphere is just at the top of the hill. But it has always had a bit of a run-down look about it.

A few years back I did quite a bit of work in the gardens at some of the main hotels on the beach in Umhlanga. It always struck me that the walkway in front of the hotels, was an amazing asset, that was not being fully valued.
It should be an ideal place to go for a walk or a run, or to take your dog for a walk, but the walkway was uneven and narrow in places, and it was not very well lit at night.

But recently, the municipality has been doing some improvements to the area. The entire stretch of coast has been re-designed to make better use of the beach, and to generally improve the walkway, landscaping, storm water run-off and access down to the beach. After the recent storms which washed away sections of the beach and dunes, retaining walls were built to prevent this from happening again.

There has also been opposition to the changes - as there always is. But some of the residents of the area's concerns are valid - they have been worried about (among other things) the improved access resulting in more noise, increased amounts of vagrants, and worsening of security in the area. All of which can be controlled or mitigated if taken into account in the planning and design of the promenade.

After taking a walk along the promenade yesterday - it is still under development - I was impressed by what has gone on since I last visited. The new pier with its whale bone structure looked impressive and gave a glimpse of what the finished promenade should look like. The promenade itself is wide and the finer details are pleasing. The planting is still being done, but a few of the hotels are also taking some initiative by improving and landscaping their access to the promenade. The retaining wall, along the length of the beach, although functional and necessary is the only aspect that I'm unsure of its long-term success. Any planting in the walls is unlikely to survive without a fair amount of maintenance, which I don't see happening in the long term. And besides I'm not sure how well the walls will stand up to stormy waves battering them anyway?

The finished Umhlanga Promenade should be an asset to the entire area when completed, and already people are using it. I was surprised to see how many families, walkers and runners were using it - even in its unfinished state in the middle of winter. I guess the glorious sunshine didn't hurt though?

Indigenous Beauties : Stapelia gigantea

I love using contrasts in a garden, and Stapelia seems to have more than its fair share of contrasts all in one plant. The best description I can think of for this plant is that its Pretty Awful - but in a good way?

Stapelia gigantea
Carrion Flower

If you are used to looking at the fairly nondescript succulent stems for most of the year, the flower when it arrives, starting with a blood red bud, opens up into an incredibly beautiful pale yellow flower. The fleshy flower itself seems too big for the small stems, and although it looks amazing, it smells terrible - unless you're a fly of course.

Its common name is Carrion Flower because of its use of its awful rotting flesh smell to attract insects - and particularly flies. The flies spread pollen from one flower to the next as the pollen sacs get stuck to them.

The stems are four-sided and are spineless, and are able to withstand extremes - from dry to relatively moist conditions. It can be planted in semi-shade, but will flower well in full sun. It would often be found in rocky, sandy soil, and even in rock crevasses, where its root benefits from the coolness of the stone. It's large flowers put on their show from summer to autumn.

They generally need a cool dry winter period, and can be cultivated very easily. Stapelia is definitely an easy plant to grow and look after - and is well worth finding a spot for it. But preferably where a breeze will dilute its odour!

Advice on Dealing With Your Garden Designer

I've recently had some meetings with an architect where I presented some ideas for a project in the Umhlanga area.
I had initially presented an idea to him, where he gave good constructive feedback. He was very clear about what he liked, and what he didn't like about the concept. We agreed on the areas that needed re-thinking, and planned to meet the following week to review the changes.

When we met again, he was very pleased with the final concept, and I left feeling quite relieved.
He was quite apologetic for being so direct with his criticism, but I assured him that I appreciated his feedback.
It really highlighted for me again the value of good, clear, honest communication. Only when we can speak openly without fear of offending, is it possible to get a final result that everyone is happy with. It was only because of his comments that I was able to improve on what I had initially drawn up.

Another aspect that is important to understand in this process of design is that when you are dealing with your landscaper/designer, nothing is final. Almost anything can be altered in order to improve the overall design, and its best to make changes earlier rather than later - because once the design is finalised, changes result in delays, which almost always bring extra costs.

How Do You Classify A Garden?

Gardening in this new millennium, has become a very different creature to what it once was. In some ways this is an oddity - gardening as a craft being at its core, so basic and archaic, is so intrinsically separate from technology.

But technology has had its effect though - through the development and use of new materials and technologies but also through the spread of ideas via the internet and media.

A Plant Dominant Indigenous Garden

There is more discussion taking place today about gardening and about what defines a garden than has ever taken place before. This conversation is occurring between professionals and hobbyists, intellectuals and labourers.

Out of this conversation, a question I've been asking myself lately is -

'How do you classify a garden?'

Even as I write that, I can hear some people saying, "Why would you even want to classify a garden? A garden is something to be appreciated and felt, and admired."
That is all true, but I see so many types of gardens, from all over the world that it is becoming harder to fit them into the traditional definitions that I'm used to, and as a result, harder to understand.

I believe that people take comfort in our ability to divide and classify the world and put it into nice neat little boxes. In some ways it even makes us human - this ability to define something.

Gardening as an art-form, has not been spared this need to separate and define. Formal, Contemporary, English Country, Eastern, Natural, Wild, Indigenous, Zen...the list goes on and on.

A Structure Dominant Wild Garden

With this classification of gardens into types, and because of the continual segmentation, and the blurring of lines, I believe there exists a need to define gardens in more general terms.

To explain, I'll use an example that we as gardeners are familiar with - just as a particular plant has a Genus, and is then divided into its species, the Species of gardens (i.e. Tropical, Minimalist, Formal) need to be grouped together into Genera.

This is necessary, not for the sake of classifying for classifying's sake.
But rather as:

• a way to clear up miscommunication between client and designer.
• a tool for teaching and passing on knowledge in clear terms.
• a spur to push designers and gardeners to try something different, and venture into new territory.

The most obvious way of defining, would be to look for the defining dominance in the design of the garden.

• Plant dominant - Where the garden's essence is about the plants themselves (Tropical, Indigenous/native, English Country, Natural, Collector)
• Concept dominant - These gardens revolve around an idea or concept(Zen, Feng Shui, Modern)
• Structure dominant - These gardens have strong shape and/or geometry (Formal, Contemporary, Minimalist)
• Function dominant - Where the function of the garden takes precedence (Lawn for playing, Parking Area, Patio)

This defining dominance would be primarily visual - it would be the character of the garden that unifies it or makes it stand out. It could also be intellectual - a garden built around an idea or concept that may or may not be immediately obvious, but that was the guiding principle behind its design. (e.g. Jenck's - Garden of Cosmic Speculation)

A Structure Dominant Formal Garden

But gardens are not always so easily put into their respective boxes, and here is where the Linnaeus analogy becomes inadequate. The gardens themselves may fall into more than one of the above groups. For example, a typical tropical garden at its essence is built around particular types of plants (Plant Dominant), but if the structure of the garden dominates, it could also be Structure Dominant. As to which is truly dominant would become a more subjective matter.

To use a more specific example - many of Gertrude Jekyll's garden's would have been strongly Plant dominant, but with Sir Edwin Lutyens' architectural input, they also had a very strong Structure dominance.

I see the practicalities of this idea being in creating a concept that makes communication clearer and simpler between client and designer, student and teacher, and between various professions relating to the gardening industry.

Gardening has been an art that has been nurtured by the hands of amateurs through the ages, and has at times, and in various cultures been analysed by the mind as well as the heart, but as the world gets internet-smaller, and communication happens across the globe, the thought processes behind garden design will and should become more apparent and utilised by the lay-person and professional alike.
For this reason, I believe that it would help if we spoke in similar terms.

Gardening on a Balcony

After 20 years of gardening, I'm amazed that I'm still amazed by the effect that plants have on a space. I don't often get to appreciate this first-hand, because I usually have to leave my gardens behind when I go home.

Michelle and I bought a flat a little over a year ago, and one of the things that really appealed to us was the big balcony, which in Durban is a great asset for enjoying our sweltering hot summers.

Its taken us a while, because up until now we've had other priorities, but we've finally gotten round to tackling the balcony.

The cage over the succulents is to keep our
vegetarian cat from munching

The catalyst was a pair of old pots that I had laying around from an old show that I did a few years back. After several coats of charcoal coloured paint to cover their awful green colour, and a quick trip down to the nursery, we had the impetus we needed to really get stuck in to planning and fixing up the area. Which up till now has become a bit of a dumping ground for all the stuff that has nowhere else to go.
A terracotta pot that we've tried quite unsuccessfully to grow herbs in, is now the home for all the succulents that I haven't been able to resist buying when I've been shopping for plants for clients.

Sitting down and appreciating the balcony with the plants, a cup of tea and Michelle's fresh baked biscuits this afternoon, it finally felt like a space that I can enjoy.

Now to figure out the furniture...