Plant Pretty Practical

When I was studying landscaping a couple of decades ago, I spent hours in the library, poring over gardening books, and paging through landscape architecture and gardening magazines, admiring the beautiful, mainly US or UK gardens.  I couldn't wait for my chance to create similarly breathtaking gardens.

Aloe cooperi in the morning light. An easy to grow, low maintenance, beautiful plant.

My first attempts at landscaping, (that were fortunately in my mothers garden) failed dismally. The plants that I had used, either died or grew so big that we lost pets inside them. This left me wondering whether I had made the wrong choice in vocation, and I'm sure must have caused my mother to wonder whether she had just wasted a couple of years of tuition on me.

But slowly it dawned on me that the old garden maxim "right plant, right place" were words to live by. Just because something looks amazing elsewhere doesn't necessarily mean that it will suit the situation that I'm working with.

I also began to realise the deception that is inherent in almost all gardening books and magazines. It is the job of publications to sell magazines and books. The best way to do this, is to showcase beautiful gardens in all their splendour. Nobody wants to buy a magazine that shows dry, colourless gardens or gardens that have been pruned back to make way for new growth. These gardens are photographed during the 3-4 week period in an entire year, that they are at their best. In many cases, the planting that you see is entirely temporary, as annuals are planted in their abundance.  Page through any gardening magazine, and you will see the majority of the plants on display are pretty, yet short-lived annuals.  This creates an unrealistic expectation on the part of the casual observer, which when it comes time to garden leaves them frustrated or disappointed.

The garden industry through television and magazines, whilst creating a sense of excitement about the potential for beauty in your back yard, has also created a rod for its own back. I can't tell you how many people I've known through the years, that are keen to get stuck into the garden, but give up after the reality sinks in.

So before you get started with your garden, figure out whether your expectations have been over inflated, by looking around you at the best gardens in your neighbourhood. Ask yourself the following questions:

1. Do they consistently look that way?
2. What plants have they used?
3. What kind of soil have they got? Is it the same as mine?
4. Do they regularly compost and water?
5. Have they got an irrigation system in place?
6. What are my realistic time commitments and abilities?

Finally, do some research before you buy your plants from the nursery. Have a plan in mind, and plant for the long term. Go with a list of plants that grow well in your area, don't get suckered in by the pretty things that are flowering at the entrance to the nursery because almost by the time you get home, the flowers will be gone.

Remember, beauty is fleeting so don't just plant pretty. Be pretty practical too.

A Better Rainwater Harvesting Solution

I first heard about this solution about 10 years ago while trying to find a better solution to deal with the fact that we funnel all our rainwater off site one day, and then irrigate our gardens using municipal water the next day.

Arum lilies make great plants for rainwater gardens

If we are really forward thinking, we use green solutions such as water tanks, in which we try to catch as much water from our roofs as possible, store it, and then pump it out into our gardens. This really is a great solution. But I'd like to suggest an even better option.

Our soils were created to be natural water tanks. Depending on their composition, they (like sponges) have the ability to catch and hold water. They catch hundreds of thousands of litres of water, releasing it slowly over a period of time, either upward to the roots of plants, sideways into rivers, or downward into the groundwater below. Good soil is essentially a reservoir for plants to survive through periods of dryness. So why do we funnel it off into tanks, or even worse let it drain away into the stormwater system?

Normal rainwater could be funnelled into the soil where it belongs, and excess water overflows into the stormwater system.

The answer to this problem is actually an age old one, and it lies in using plants, and in shaping the soil to slow down and catch the water.

Instead of using the downpipes to carry water straight into our stormwater system or at least into tanks, the water would flow from the roof down the drainpipes and into a catchment area with plants that would naturally be found in wetlands. These plants can tolerate both waterlogged and dry conditions depending on the season. The water can then drain away naturally into the soil.

Vancouver's innovative stormwater solution

Another application is alongside large paved areas, like parking lots, driveways and roads. The water that comes off these areas usually has a mixture of oils, litter, and other pollutants that end up in our rivers and eventually the sea, creating huge long term problems. We should be creating filtration areas before the water runs into any kind of stormwater system.

This can be a beautiful way of bordering or softening hard areas like parking lots and roads, and in a water thirsty country like ours is an ideal way of conserving water in the place where it should be conserved.

When Should I Hire a Landscaper?

I'm so glad you asked that question...actually, its really a rhetorical question, because its never too soon to involve a landscaper in a project. Of course, the reverse is also true - Its never too late to involve a landscaper, but the overall effect achieved, is diminished the later we're involved.

Having a landscaper involved from the inception can only yield beautiful results

The general mistake that is made by most people - home-owners and professionals in the associated industries included, is to bring a landscaper in as the project has really gained momentum.

But its at this point, that most of the key decisions have already been made. Money has been invested in a direction which usually means that this direction is now set in stone.

As I've mentioned before, I'm a big believer in collaboration. Architects and landscapers should be talking to each other from the start and all the way through a project.

The problem is that as long as we view the garden as an afterthought, this attitude will reflect in the final appearance of the garden. Rather than the garden being an integrated part of the whole home, it will look like something that has been tacked on.

I can't tell you how many times we could have saved our clients a huge amount of time and money. Here are some examples:

1. Like the project where we needed to hire a crane to move pots, rocks and palms in because a wall had been built already, which could have been moved by hand at the beginning of the project.
2. Or the time where a retaining wall had been built to hold a bank, where we could have planted Vetiver grass which would have held the bank better (and more attractively) than any concrete retaining wall.
3. There have been several instances in projects that I have been involved in too late where an environmental solution was available for a problem, which engineers and architects could only see an (expensive) engineering solution. You'd be amazed at how many problems rocks and plants can solve.
4. Areas of natural water seepage can be controlled more effectively with plants and appropriate landscaping.
5. Roof gardens and green walls can save thousands in insulation, airconditioning and heating costs.
6. A regular problem I run into, is where a retaining wall has been built but has been filled with sand and rubble instead of topsoil resulting in us having to replace the sand with topsoil by hand.
7. Topsoil can and should be stockpiled on site, rather than having to pay thousands to transport it in at the end of a project.
8. Retaining walls are an expensive option, natural stone found on site can be used to create dry stack walls instead (provided its done properly). There is nothing worse than a badly built dry stack wall...

There are thousands of ways that an experienced landscaper could not only save money, but help integrate the house to its surroundings in a far more meaningful way. But if we are only brought in at the end of a project, its too late.

In my next post I'll give an example of a relatively new environmental solution that is currently being solved through engineering only, and which is costing home-owners and the environment countless thousands.

Sex, Politics, Religion and...Budget

Sex, Politics and Religion. Three topics guaranteed to cause awkward subject changes, but I'd have to add the topic of budget to those classics...

I loved designing this penthouse garden - but a clear budget is essential when preparing any design

I've written about this subject before in 'How much does landscaping cost', but it still amazes me how uncomfortable people are about providing a budget for their landscaping. I know very often the problem comes more from clients not knowing how much is a realistic figure to set aside, but without at least a rough budget to work within, there is so much place for time-wasting.

I recently had two clients with two completely different approaches to the subject. The first fidgeted when the subject came up, and wouldn't give any guidelines. I worked on some ideas and presented the concept along with an estimate only to find that it was not within their budget. I went back to the drawing board to try to find a way of adapting the design to the budget, before eventually having to come up with a completely different design that would fit within the parameters. It seemed to me that the issue wasn't that they didn't know how much they could spend, because it turned out that they had a very clear budget - it seemed that they felt that disclosing how much they could spend would somehow disadvantage them.

My second client gave relatively clear guidelines. Knowing what the budget was, gave me a clear overall picture of what we could work with. When I presented the concept, which they loved, I was able to keep the costs within their budget so that they had enough left over for some garden furniture and some additional accessories.

The first project was fraught with frustrations from the start, while the second was a pleasure from start to finish.

Romead Business Park - an inspiring green approach

Romead Business Park is quite an exciting project that I've been working on over the last year.  A prominent developer was looking for a new home for their offices, and rather than finding a cookie-cutter building for their offices, they decided to create their own space, and hopefully attract others with their same ideals.

Common Areas Landscape Plan for Romead Business Park

Their approach to the entire project has been quite refreshing. They found a property that was nestled in the escarpment below Kloof which was ideal from so many perspectives - a beautiful piece of land right between the Umbilo river and a part of the Durban Metropolitan Open Space System (D'MOSS). Part of the trade-off of developing on a slightly degraded section of this site, was to give a large portion of the property to be used as Open Space.

Grassland above Romead - the landscaping should eventually return to this

Their ethos behind the development has been quite inspiring - they have been looking for any viable opportunities to approach the project from an environmental perspective, which in these tough economic times is quite a brave stance. But altogether necessary from a long-term point of view. It's been an ethos that has come at a cost - both emotional and financial!

The design code for the development has been quite comprehensive and pioneering, and - I believe - one of the best guides for development from an architectural and landscaping perspective in Durban.

Some of the ideas that have been looked at, and in some cases, written into the design codes are solutions like rainwater harvesting, wind-turbines, creating mulch and compost from the existing vegetation on site, the use of indigenous planting and an approach that places an emphasis on the balance between aesthetics and function.

As the Business Park begins to gain momentum, I'm looking forward to seeing how it all comes together.

Behind The Scenes - Minimalist, Stone Garden

I've been planning a garden over the last couple of months that has made me quite excited. The house itself is quite contemporary, and in a great setting. Its flanked on one side by 2 magnificent, verdant green fig trees, and on the other side by amazing views over Beechwood Golf Course and out to sea. Its quite close to the existing house next door, which makes for an interesting challenge in trying to soften the views from both sides whilst not creating too much shade.

The owner and the architect had some great ideas, which gave quite strong direction as to what the garden should eventually look like. They wanted to create an almost minimalist, oriental feel with rock and grasses. After several concepts, we settled on a simple approach to the design, which would would require some very large rocks, which would in turn compliment the natural stone that has been used as a strong design element in the house.

Our first step was to remove the alien vegetation on site, which would also open up the views from the house. This would also create more space for the main rock garden area.

The almost blank canvas...

Using the initial concept sketches, I finalised the design, and worked out the position and rough size of the rocks that we would need for the space.

To get a better feel for the size of the rocks, I drew the site on Sketchup, and moved the rocks around to find the best position, shape and size. I wanted to also plan the position of the rocks around the possibility of adding some decking into the design at a later stage.

Sketchup drawing of the area showing the volume of the rocks

The drawings and sketches are more of a guideline to use when the choosing the rocks, because its quite easy to be overwhelmed by the size of the rocks when you're looking at them by themselves in a quarry.

Shorty stands in front of Rock No.9

The tendency is to choose smaller rocks when you're looking at the rocks by themselves. I went into the quarry armed with my sketches showing the shapes and measurements of the rocks that I wanted. I took photographs, and numbered each rock according to the position it was going to fill.

Even with all the preparation there are always a few slight hiccups. Unfortunately this job was no exception. The crane company I had hired to move the rocks got cold feet the day before the rocks were due to arrive. They were nervous because there was no way that we could know (and plan for) the weight of the rocks until they had been weighed on the weigh-bridge and were on their way to site. I had been given figures of anything from 1-7 tonnes per rock. Fortunately, after several anxious hours of phone calls, I managed to get a rigging company - Lovemore Brothers, to step in at the last minute (for a considerably higher fee), to handle the process of moving the rocks from the truck into position.

True to their word, the 55 tonne crane arrived at 7h30 the next morning. After several days of rain I knew that we had a window period of a few hours of good weather, so I began to grow quite anxious when I was told that the rocks were delayed by a broken down truck.

Eventually, at 14h30 the first load arrived, just as the clouds began to roll in. We worked quickly knowing that a storm was approaching, and that we had only a few more hours of light to get the remaining 16 tonnes of stone onto site. We finished the first load as the lightning began to strike around us. (An especially worrying thing when you have a 30-40m lightning-conductor sticking out above everything around it.) The very cold rain began soon after, which was just the precursor to the large hailstones that followed. It seemed like everything that could make our work harder, was going to happen. Fortunately, as is the norm with storms like that in Durban, it didn't last long.

3 long hours later, the second load arrived - just 25 minutes before the cut-off time that Devan (the very capable rigger in charge) had put in place.
With the light fading, and the dangerous prospect of positioning 3 tonne rocks in place in the dark, looming quickly, we tried to work fast. But before we knew it, the light was gone, and we were literally positioning rocks by lamplight.

That's the last rock being lit up with a light in the top left corner

 Next week, I'll do a follow up, showing the completed garden, with the rocks and plants all in place.

Seven Hats That The Best Landscape Designers Wear

If you came looking for fashionable garden clothing tips, I'm afraid I may have misled you slightly. Maybe that'll be a post for another day - although I doubt that anyone would want to take my fashion advice.
It struck me the other day as I drove past an (expletives deleted) attempt at creating a garden by a "landscaping company", that a good landscape designer must wear many hats when planning a beautiful and functional garden.

A sheet of water begins the rill in a formal garden

A good landscape designer needs to have at least a part-time interest and respectable understanding of many fields and professions, and is at least one reason why I'll feel like I'm a student till the day I die. These are some of the professions that landscape designers should understand:

• Architect - you should have at least a basic understanding of architecture. The buildings are typically the most dominant aspects of a site and are usually the media through which people relate to the environment. It follows that for a garden to be harmonious with the buildings you should have a basic understanding of architecture.
• Botanist/Horticulturist - this is an obvious and essential aspect of the profession. But not only should you know the common and latin names of 1000's of plants that are suited to your region, but you should at least have a good knowledge of their individual characteristics (to the point of knowing how their characteristics differ depending on their environment).
• Business-person - this was the least emphasised aspect during my studies, and the area I've since felt the most out of my depth. A healthy business means you can focus on being creative. A lack of good business sense probably accounts for the biggest reason why so few of my colleagues are still in the industry.
• Marketer/Communicator - it isn't good enough just being good at making beautiful gardens. If you can't market yourself well, it makes your job so much harder. Once you have a prospective client, you have to be able to communicate your vision clearly, either visually or verbally. Add to this the need to use on and offline business networks and web 2.0/social media.
• Psychologist - Our clients are almost entirely people. (Tell that to the hare I spotted munching on a client's Wild Iris) We need to understand people, what moves them, motivates them and stirs them. Creating something for our own tastes and preferences will leave your clients short changed.
• Scientist - to create sustainable gardens, a passable knowledge of what is happening on a chemical level is definitely an asset. Knowing the effects and inter-relationships between soil, water, minerals, light, flora and fauna can't be overlooked.

Those are some of the many hats worn by the best landscape designers. Not all of the above are absolutely essential, because specialists can help take up the slack in those areas where we're weak. But these should be the basic traits of a landscape designer to be able to create truly beautiful gardens. This final skill on the list is the most important:

• Designer - I think an intuitive design sense is the most important skill of a landscape designer. You could probably scrape by with little understanding of any of the previous professions, but if you lack in this area, you should pack your pencil and shovel away. There are several principles of design that can be learnt, but they need to built on a foundation of intuitive design. I'll be following this post up in the next few weeks with an outline of some of the less understood principles of design. Even though they may be the least understood, I believe they are the tools every good designer should understand and employ.

If It Aint Broke, Don't Landscape It...

Lately I have been aware of how landscaping a home garden entails a very careful balancing act between imposing your own ideas, and doing what the client wants. All the while making sure that the garden suits the environment.

Alstroemeria in the Baynesfield Gardens

I have been working on a garden for a very sweet elderly lady, and it has truly been a pleasure adding a fresh touch to her garden. The garden itself is well established, albeit in a style that is a little outdated (I hesitate to use that word because I believe if a garden is well designed it should never really become outdated) and also relatively thirsty.

Normally in a situation like this, I would try to steer the client towards making some quite significant changes. But in this case, having weighed up the clients tastes and preferences, I didn't believe that much change was required at all.

She already loves her garden.  Thats exactly what I strive to achieve when I create a garden. So, why fix what isn't broken?

Behind The Scenes - Coastal Dune Garden - Follow Up

I mentioned in a previous post on a Coastal Dune Garden we completed, that I would follow it up with some photos, so here they are:

This is where we started - no level area. Trees screened the house in front, but also blocked the view.

Berms now hide the house below, and give additional height for the plants to grow on. The area, now level, provides ample room and gives a feeling of space and openness.

Aloe vanbalenii, is one of my favourite aloes. The amazing changes in colour of its leaf from apple green to burnt red is only just surpassed by its spectacular flowers. When they're grouped together they look their best. I used mainly succulents on the front of the 'dunes' because of their neat look, and easy maintenance. They handle the wind and poor soil normally associated with beachfront properties.

Behind the dunes, I planted swathes of grass, to create a soft backdrop to the 'harder' looking succulents. I also wanted the grass to create movement, almost like water washing against the beach.

I interspersed the grass with Eucomus, Gladiolus, and Watsonia which will create little spots of colour in amongst the predominantly Melinis nerviglumis grass. Watsonia is quite rare, and on the endangered list, so I try and use it wherever I can, and as close to its natural habitat as possible.

Behind the grass, I planted Plumbago, and a pocket of Leonotus leonurus, which the vervet monkeys are apparently loving. Sunbirds are also a common visitor to the spires of nectar-filled orange flowers, which remind me of little miniature fireworks.

Round-leafed Kalanchoe thyrsiflora is nestled in between the large rocks that we placed close to the top of the dunes. We really sweated while trying to manouvre these massive stones down to the lower garden without damaging them, ourselves or anything else.

Although rocks are seldom found on actual dunes, they do create an immediate sense of permanence to the garden, that the plants will eventually grow into.

The Best Way To Landscape Your Website

You may have noticed that I haven't been posting a whole bunch lately? That old idiom has been coming to mind quite a bit recently "Make hay while the sun shines". Its a great piece of advice, especially for us procrastinators, who might rather be blogging than tackling any tough tasks.

Another task that I have been tackling in the last few weeks, has been the pruning and replanting of my landscape website. Its been a project that I have been working on bit by bit for the last year or so, but I felt that it was time to make a concerted effort to finish it.

As I've gotten it closer to where I want it, I've realised how similar creating a website is to landscaping a garden:

1. Its essential to have a plan of what you want the finished garden/website to look like.
2. Before you start figure out who will be experiencing the website/landscape.
3. Use the best tools you can afford.
4. Its important to have a theme that brings everything together. In a garden, you could have more than one theme depending on the size of the garden, but if you do, it could leave the visitor confused.
5. Figure out the structure first, and build onto and around that.
6. Simpler is often better.
7. Don't make the landscape/site too busy or distracting, it leaves you feeling unsettled and less likely to enjoy the experience.
8. Repetition of certain elements throughout the site/garden is important to give the eye some familiarity
9. When its looking messy, and you're feeling a little overwhelmed, don't give up. Its usually just on the other side that you'll start to see the end in sight.
10. Look at your use of colours carefully - complimentary colours are really restful and harmonious, contrasting colours are bold and exciting.
11. Make sure you do as much research as possible before you start, and if you're unsure of any code/application/plant, do some more research.
12. Experimenting is how you learn. Place the plant/code in your website, and see how it looks. If it doesn't look right, be ruthless and pull it out - it'll get harder to do when you build other plants/code around it. If you feel bad about pulling it out, you can always give it to a friend - a gift of 'html code' is always welcome. (ok, maybe I'm pushing the similarities too far there.)
13. Ask experts for advice (if you can afford it - hire a professional to do it for you), and get feedback from friends, but trust your instincts too.
14. Have fun doing it, but don't let it consume you - everybody needs a hobby, no-one needs an obsession.

I'm currently at number 13. I would love some feedback about the website. Feel free to be as critical/honest as you want. Personally, I think its the best landscape website I've ever seen - but hey, I might be biased ;-)

Planning a Beachfront Getaway

Its been a busy month, with so much happening. Trying to finish up work within deadlines is always tough, but its made a little easier when one of the deadlines is a holiday.

A friend asked for some advice in landscaping the beachfront holiday home he's decorating. In return, he offered the place for us to take a holiday at. I think we delayed it 3 times before eventually taking the gap, and having a break.

It was set behind some coastal forest on the KZN North Coast, and was quite idyllic. I always find it hard to switch off when on holiday - I'm always thinking about the gardens I'm planning, and the things I haven't managed to get to yet. But in such a peaceful place, with the sound of the waves in the background, it was a whole lot easier.

In sitting down to plan the garden, I decided to take photos of the whole process and put it into a video. So here it is (with a special guest appearance while I stepped out of the room):

Behind The Scenes - Coastal Dune Garden

Creating gardens on the coast is always a challenge. There are all kinds of things to consider, like salt air, strong winds and sandy soil. Added to these natural limits, is the fact that the garden is often just the foreground to the real view - the ocean. So it needs to compliment rather than try to steal the show.

This garden is actually the second garden I've done for these particular clients - they moved from their previous home in Morningside when they found this odd 1970's house in the La Lucia area of Durban with potentially amazing views of the ocean.
They kept the general layout of the house and completely gutted it, but essentially started again. The garden itself was a neglected, overgrown mix of plants that sloped down to the neighbour's house below.

This was a really great project for a number of reasons. I have the benefits of having a good relationship with both the client and the architect, and that, coupled with being involved right from the start, I was able to add my 2 cents worth to the project as it evolved. Also, having the advantage of being part of the project from the start - almost 3 years in total, it gave me the time to really digest the site and the design. These are definitely key ingredients in making a successful garden.

Too often in landscape design, everybody involved is in a rush. We designers, are usually brought in at the last minute, and are usually the last on site, and so we often bear the brunt of the clients lack of patience because of the usual contractors delays. Being last in the chain also has other disadvantages. In most cases, projects run over budget, and the easiest place to save money is by cutting back on the 'luxury' areas like landscaping. But its not all frustration. You also get the best look at the finished product, and share in some of the excitement that the client is beginning to feel as they see the project nearing completion. This really makes for great job satisfaction.

My clients previous garden, with roses and lavender

My clients were wanting the garden to be quite different to their previous garden, which was full of roses, and quite formal. I was relieved to hear this, because the property was quite exposed on the top of a dune, which meant we would be using a fairly limited range of plants. Roses or similar exotic plants would need an inordinate amount of attention to keep them alive - let alone looking good. The words Aloe and stone were mentioned during our preliminary discussion about the garden, and I could feel my excitement levels rising...
Although they did have one request, coming from a relatively small garden they would want it to be as open as possible, with as big a lawn area as possible.

The "Blank Slate" - you can see the unusable lawn, and the house below, that needs screening.

We removed almost all of the plants while the builder began the demolition of the existing house. The only plant that had any real value to the garden was a huge milkwood in the driveway. The driveway and boundary wall was laid out to make sure that it was kept safe.

One of the first steps, as in most landscape designs, was to sort out levels. As I've mentioned before, creating level areas makes the garden much more user-friendly. Keeping the garden on the same level as the house means that people are more likely to spill out into the lawn.
The retaining wall below the garden had a height restriction which was well below the homes ground floor level - this would mean I would have to do some lateral thinking to try to find a way of getting the lawn level right.

Due to height restrictions, the top of the retaining wall was still well below the level we needed it to be

The second challenge in the design of the garden, was the proximity of the house in front. From the ground level of the house it not only partially blocks the view of the ocean, but is the last thing you want to be looking at when you're sitting in your lounge or dining area.
The solution would be to raise the garden to the groundfloor level. This meant that we would be able to keep the planting relatively low, and still screen the neighbour's house.

Making use of the attractive vistas, and hiding the less attractive can be one of the hardest balancing acts in a garden design. It needs to be done subtly, but effectively.
This garden was one of the trickiest I've worked on, because of the multiple levels and views in the house. Also, having the beautiful sea views and the big house both dominating the front view, made it particularly difficult.

Oehme & Van Sweden - Chicago Botanic Gardens

I began the design of the garden with a picture in my mind of flowing grasses, and mass planting along the lines of an Oehme and Van Sweden garden. They use a more naturalistic style, which would suit the site, and the use of indigenous plants. The challenge would be to create this feel in the narrow space available for the planting.

I also had a picture of the way sand forms ripples on the beach, and thought I'd like to capture something of that feel in the design. This would translate into building up berms of sand, which would make a great platform on which to plant. Slowly, the design was beginning to take shape.

I took some photos of the garden, and used these to trace and sketch the picture that was beginning to form in my head.

After all the planning comes the hard slog. To begin with, we had to move about 80m3 of soil into the garden, and shape and level, and re-shape and re-level, and then do it all over again. Finally, the structure was all there just waiting to be dressed up with plants. We're almost there now, but I'll post a follow-up on the planting once we've completed it.

Behind The Scenes - A Restored Guest House Garden

I've been working on the designs for a garden since the end of last year, for a beautiful old house high up on the ridge of Berea. I've driven past the house quite often in the past, and wondered when or if it would ever be renovated.

Last year, the owners of a guest house down the road took on the honourable task of restoring it to its original beauty. From white ant nests in the walls (which were held together in some places not with cement, but hard clay), to leaking roofs - I'm not sure if they realised the amount of work that was in store for them when they began. But they've taken to the task admirably, with the deadline of being ready for the 2010 World Cup looming.

My clients were incredibly trusting, and have allowed me quite a bit of freedom with the design of the garden. I felt obligated to make sure that the garden was a suitable adornment to the soon-to-be renovated house.

There were 2 main areas to the garden - the front entrance/parking area, and the back garden. I started with the design of the back area. This was the largest area, and I felt that this area would influence the design of the rest of the garden.

My first thoughts were that the garden needed to be terraced to make it more usable. A slope, even just a slight one can make it hard to use an area, so I prefer to level out a space to make it more inviting, and at the same time, allow it to be have multiple uses.
I also felt that because this back garden area was quite low down and there were no real views to make use of, the garden should be inward rather than outward looking.

The ideal way to do this would be to create a central focal point, and possibly screen the outside views with hedging, creating something close to a cloister garden.

The other aspect to bear in mind is that the garden will be viewed from above almost or more often than from inside. So it would be necessary to create a garden that would be as beautiful when looked down at from above. I believe the garden will have a very different feel when people take the time to walk down into it, than how they will perceive it from above. When you stand on the verandah on the main level, there is a great feeling of space and openness with views to the North West. You will look down onto a garden with a strong axis, focal points, and a lot of colour but it will still feel very open. Once in the garden it will feel far more introspective.

I thought the space would also lend itself to outdoor weddings, so in the long term it would be ideal to have an arbour on the lower terrace, which could also double-up as a shady outdoor eating area. A swimming pool in Durban is an absolute necessity. I positioned a long narrow pool on the top terrace, and then linked it with a rill to the main focal point which is a central fountain. Running water also helps cut out some of the faint sounds of traffic.

I wanted the garden to provide abundant cut flowers to be used in the guest house, so there will be a strong focus on flowers, and colour.

The Consequences of a Life Disconnected

I noticed today that the Jacarandas are flowering again. Here in South Africa, the purple portent was a signal to students to start studying for end of year exams. If you waited until they layed their purple carpet below the tree you were already in big trouble. How many of these natural signs do we pay attention to these days?
In the past, our ability to survive depended on our intimate knowledge, and connection with nature. We'd be watching for the migration of birds, or the lengthening of shadows to guide our decision making in everything from when to plant vegetables, to when to propose marriage.

In our modern day lifestyle, we live our lives very disconnected from nature. Seasons come and go, and we hardly notice the changes, cocooned in our temperature regulated environments. Food no longer comes from last seasons planned planting, but is neatly packaged at the local supermarket for our last-minute convenience.
Both are perfect examples of our great sophistication, our triumph over the capriciousness of life, and our ability to design our landscape to suit us. But what happened to working with nature? Good design has to be more than imposing our will on our environment, surely its got to include a harmonious relationship with the landscape.

I'm far from being ready to return to an agrarian existence, and finding ways to keep chickens in my 3rd floor apartment - as much as my cat would argue for the perfect logic of that decision. Nor do I plan on basing my decisions on the changing seasons, when science can give such exact information. But I just wonder if the repercussions of this basic disconnection are more insidious and far-reaching than we imagine.

Almost Successful Minimalist Front Garden

I'd been waiting in anticipation when I saw the bones of this landscape being formed. I was looking forward to how it would turn out, because it looked like it would be something different to the usual front verge on Essenwood road.

As it turned out, it was different. But to tell you the truth, I was disappointed. Where it had great potential was in its basic structure, but it was let down from that point on.

Everybody has their own opinion on what makes a beautiful design, but there are some basic fundamental things that make a good concept into a good design. And only a good design can be beautiful.

To play with an old saying by St Augustine - In all things sensible compulsory, in all things aesthetic freedom, but in all things passion.

I appreciate the minimalist simplicity of the design, and it probably looked good on paper. Breaking the bank up using terraces was a good practical idea, and the curve gave it something fresh. The huge rocks emboldened the design. The use of Aloes gives a different feel, they're low maintenance, and when they flower, will look amazing.

But the positives can only carry it so far. The first and biggest flaw, is using grass that has to be constantly cut, more than a metre off the ground. Why not use a simple ground-cover, even something as over-used in South African gardens as Mondo grass would have been better from a maintenance point of view. Who wants to lug a lawnmower up onto a terrace?

Why do people over-use white pebbles? Gardeners that use them remind me of magpies that are just attracted to shiny and sparkly things, thinking that the garden will somehow be improved by them. As a general rule, use white pebbles sparingly. They seldom stay white anyway.

You should always be careful using contrast in a garden. There is a very fine line between contrast and kitsch. I believe the design would have been better if the pebbles used had picked up on another colour in the design - whether the rock that they are spread around, the plants used or even the colour of the walls.

In a situation like this, where the rocks themselves are the focus of the design, they should be chosen and positioned deliberately. Japanese garden design has very precise ancient guidelines for using rocks, and while this is not an oriental garden - those guidelines are built around good aesthetics, and should be followed more often than not if you want rock to work well in a design. But that's probably a post for another day. In this case, the third rock looked completely out of place - it was flat and didn't have the presence that the other rocks had.

Another basic mistake made, was not hiding the water valve (it was at least hidden in the standard municipal cover). The design could have been easily adjusted to obscure the box, while still giving access to the meter. It was painted the same colour as the wall, which helps to make it less noticeable.

The choice of Pachpodium as the main feature plant (although it is small it will get a nice size in a few years) for the back of the planting looks slightly out of place - but that's probably just my personal preference rather than any design flaw.

Some of these mistakes are basic, and some might seem nit-picky, but I think this little garden could have been very successful had the person who designed it paid that extra attention to detail, instead I think its been left a little short-changed.

Redesigning the Umhlanga Promenade

Umhlanga (the Zulu word for 'place of reeds') is a thriving coastal holiday town, within easy distance of Durban. Apart from catering to a regular influx of tourists throughout the year, it also has a large portion of permanent residents, and visitors from around the area. The beaches are great, with excellent waves for surfing, and rock pools for kids. There are amazing restaurants close by, and Gateway - one of the biggest shopping malls in the Southern Hemisphere is just at the top of the hill. But it has always had a bit of a run-down look about it.

A few years back I did quite a bit of work in the gardens at some of the main hotels on the beach in Umhlanga. It always struck me that the walkway in front of the hotels, was an amazing asset, that was not being fully valued.
It should be an ideal place to go for a walk or a run, or to take your dog for a walk, but the walkway was uneven and narrow in places, and it was not very well lit at night.

But recently, the municipality has been doing some improvements to the area. The entire stretch of coast has been re-designed to make better use of the beach, and to generally improve the walkway, landscaping, storm water run-off and access down to the beach. After the recent storms which washed away sections of the beach and dunes, retaining walls were built to prevent this from happening again.

There has also been opposition to the changes - as there always is. But some of the residents of the area's concerns are valid - they have been worried about (among other things) the improved access resulting in more noise, increased amounts of vagrants, and worsening of security in the area. All of which can be controlled or mitigated if taken into account in the planning and design of the promenade.

After taking a walk along the promenade yesterday - it is still under development - I was impressed by what has gone on since I last visited. The new pier with its whale bone structure looked impressive and gave a glimpse of what the finished promenade should look like. The promenade itself is wide and the finer details are pleasing. The planting is still being done, but a few of the hotels are also taking some initiative by improving and landscaping their access to the promenade. The retaining wall, along the length of the beach, although functional and necessary is the only aspect that I'm unsure of its long-term success. Any planting in the walls is unlikely to survive without a fair amount of maintenance, which I don't see happening in the long term. And besides I'm not sure how well the walls will stand up to stormy waves battering them anyway?

The finished Umhlanga Promenade should be an asset to the entire area when completed, and already people are using it. I was surprised to see how many families, walkers and runners were using it - even in its unfinished state in the middle of winter. I guess the glorious sunshine didn't hurt though?

Advice on Dealing With Your Garden Designer

I've recently had some meetings with an architect where I presented some ideas for a project in the Umhlanga area.
I had initially presented an idea to him, where he gave good constructive feedback. He was very clear about what he liked, and what he didn't like about the concept. We agreed on the areas that needed re-thinking, and planned to meet the following week to review the changes.

When we met again, he was very pleased with the final concept, and I left feeling quite relieved.
He was quite apologetic for being so direct with his criticism, but I assured him that I appreciated his feedback.
It really highlighted for me again the value of good, clear, honest communication. Only when we can speak openly without fear of offending, is it possible to get a final result that everyone is happy with. It was only because of his comments that I was able to improve on what I had initially drawn up.

Another aspect that is important to understand in this process of design is that when you are dealing with your landscaper/designer, nothing is final. Almost anything can be altered in order to improve the overall design, and its best to make changes earlier rather than later - because once the design is finalised, changes result in delays, which almost always bring extra costs.

How Do You Classify A Garden?

Gardening in this new millennium, has become a very different creature to what it once was. In some ways this is an oddity - gardening as a craft being at its core, so basic and archaic, is so intrinsically separate from technology.

But technology has had its effect though - through the development and use of new materials and technologies but also through the spread of ideas via the internet and media.

A Plant Dominant Indigenous Garden

There is more discussion taking place today about gardening and about what defines a garden than has ever taken place before. This conversation is occurring between professionals and hobbyists, intellectuals and labourers.

Out of this conversation, a question I've been asking myself lately is -

'How do you classify a garden?'

Even as I write that, I can hear some people saying, "Why would you even want to classify a garden? A garden is something to be appreciated and felt, and admired."
That is all true, but I see so many types of gardens, from all over the world that it is becoming harder to fit them into the traditional definitions that I'm used to, and as a result, harder to understand.

I believe that people take comfort in our ability to divide and classify the world and put it into nice neat little boxes. In some ways it even makes us human - this ability to define something.

Gardening as an art-form, has not been spared this need to separate and define. Formal, Contemporary, English Country, Eastern, Natural, Wild, Indigenous, Zen...the list goes on and on.

A Structure Dominant Wild Garden

With this classification of gardens into types, and because of the continual segmentation, and the blurring of lines, I believe there exists a need to define gardens in more general terms.

To explain, I'll use an example that we as gardeners are familiar with - just as a particular plant has a Genus, and is then divided into its species, the Species of gardens (i.e. Tropical, Minimalist, Formal) need to be grouped together into Genera.

This is necessary, not for the sake of classifying for classifying's sake.
But rather as:

• a way to clear up miscommunication between client and designer.
• a tool for teaching and passing on knowledge in clear terms.
• a spur to push designers and gardeners to try something different, and venture into new territory.

The most obvious way of defining, would be to look for the defining dominance in the design of the garden.

• Plant dominant - Where the garden's essence is about the plants themselves (Tropical, Indigenous/native, English Country, Natural, Collector)
• Concept dominant - These gardens revolve around an idea or concept(Zen, Feng Shui, Modern)
• Structure dominant - These gardens have strong shape and/or geometry (Formal, Contemporary, Minimalist)
• Function dominant - Where the function of the garden takes precedence (Lawn for playing, Parking Area, Patio)

This defining dominance would be primarily visual - it would be the character of the garden that unifies it or makes it stand out. It could also be intellectual - a garden built around an idea or concept that may or may not be immediately obvious, but that was the guiding principle behind its design. (e.g. Jenck's - Garden of Cosmic Speculation)

A Structure Dominant Formal Garden

But gardens are not always so easily put into their respective boxes, and here is where the Linnaeus analogy becomes inadequate. The gardens themselves may fall into more than one of the above groups. For example, a typical tropical garden at its essence is built around particular types of plants (Plant Dominant), but if the structure of the garden dominates, it could also be Structure Dominant. As to which is truly dominant would become a more subjective matter.

To use a more specific example - many of Gertrude Jekyll's garden's would have been strongly Plant dominant, but with Sir Edwin Lutyens' architectural input, they also had a very strong Structure dominance.

I see the practicalities of this idea being in creating a concept that makes communication clearer and simpler between client and designer, student and teacher, and between various professions relating to the gardening industry.

Gardening has been an art that has been nurtured by the hands of amateurs through the ages, and has at times, and in various cultures been analysed by the mind as well as the heart, but as the world gets internet-smaller, and communication happens across the globe, the thought processes behind garden design will and should become more apparent and utilised by the lay-person and professional alike.
For this reason, I believe that it would help if we spoke in similar terms.